Tripping The Rift

I heard that there was some possibility of a job with something related to Tripping The Rift, the cartoon show on Teletoon, here in Quebec. So, to show the client and also for fun, I did a pin-up of Six, just to show them what I could do with it.

***

Also, I'll be at the next Montreal Comic Con. It's April 27, 2008. Here are the direction since it's no longer at the same location: Place Bonaventure, 800 De La Gauchetière Street, West, Montreal (Quebec), H5A 1K6. Email: mtlcomiccon@yahoo.ca. Admission fee: 2$
The guest will be Wes Craig, Kate "Red" Bradley, 3265 Studiomate Serge Lapointe, Sirkowski and me.

The Abominable Charles Christopher and other updates.

I've made some update and improvement to the webcomic page in the last month, trying to find a way to make it look a bit more lively.
One of the thing that were there, then removed because the company went out of business, and then but back in was the chatterbox. You may have noticed it. I hope you like the possibility of commenting on the webcomic. But maybe people will "chatter" a bit more once we get to the new pages of the John Star storyline.

I've also added a new "associate webcomic". It's called The Abominable Charles Christopher. It's written and drawn by Karl Kerchl. Karl is one of the guys I share the 3265 Studio with. While Karl is physically in Montreal working with us, he's mentally unfaithful to us with another group of cartoonists in Toronto. The group is called Transmission X and they do various comic and illustration work for big and small companies while still being masters of their own destinies by doing and posting to the world nine different webcomics. Great work that you should check out.
A bit more about Karl ? From the Transmission X site:

KARL KERSCHL :

Karl has been drawing comics for 14 years. He has worked on Superman, The Flash, Robin and the Teen Titans, among other heroic things, and recently self-published a graphic novella for the band Ragni, which he wrote and drew. He is currently working on an original graphic novel and producing weekly webcomics with his pals in Toronto.He has two very demanding and overweight cats, both of whom are French-Canadian.

While i've never met his cats, I can attest to the fact that french-canadian cats are not all overweight. Mine is not. There.
And about Tranmission X:

Transmission-X is a web-comics anthology created by a collective of illustrators and writers based out of Toronto, Canada. Featuring the work of acclaimed industry veteran Karl Kerschl (Superman, Teen Titans: Year One), Andy Belanger, Michael Cho, Claudia Davila, Scott Hepburn, Brian Mclachlan, Ramon Pérez and Eisner Award nominees Cameron Stewart (The Other SIde, Catwoman, Seaguy) and Arthur Dela Cruz (Kissing Chaos). Transmission-X is updated daily with free, original content.

John Star is now a Facebook Group.

Yes, I'm getting into the facebook thing like everyone else ! I've had a Facebook page since last year, but mostly I use it with my friends and want to keep it personal. But I used the Group function to create a page about John Star. It can help gather readers from the Facebook network and keep them posted about new work being published on the webcomic.
So if you are on Facebook, it's an invitation: come join the group !

***

In the meantime, the Veena webcomic is still in rerun of the "The Expanding Spiral" story. After that, the rerun will be of the John Star storyline. At that point new material never seen anywhere will be posted.
To celebrate that, i'll do a redesign of the page.

Order of The Solar Temple ! For your childrens !

Yes, that's my current job. I'm working on a schoolbook where comics are used to help teenagers to understand hot topics like gangs, religious activities like shamanism or civil rights. In this case the topic is the dangers of cults or "religious" sects. The particular cult they are covering is the OTS, the Order of The Solar Temple, very active in Quebec and other french speaking countries during the 1980s and 90s.
It's a 28 pages story and here is the first finished colored page. I'm doing the pencils and the inks and I have 2 colorists.
More details soon.

A new chatterbox called Shoutbox !

I have added a new "chatterbox" on the Veena webcomic page. The old one was gone because the Chatterbox company that made it, somehow went kaput. I haven't really ressearched the reasons and simply decided to remove it. It made the webpage look defective...
Months have gone by. I was too busy with illustrations and paying comic work, the Veena webcomic went into re-runs. The John Star story left hanging there...
But now, even in re-runs we get closer to the John Star story and i'll have new pages to add in a few months.
So, i'll make a few changes to the network of webpages that I have...(on ComicGenesis, Videotron, ComicSpace, My Space, etc...) and try to recenter things a little bit. I may have to remove the french section for a little while.

So, what am I working on ? The story of the Order of The Solar Temple ! It's a 28 pages story, all in color for a schoolbook in Quebec high schools. As strange as it may seem, they want to use the OTS story as a warning on cults for the Ethic And Religion program.
So, very busy with that for a month yet.

Des tirés à part à l'Expozine - Update

Lors de l'Expozine 2007, qui se tiendra la fin de semaine prochaine, Éric Thériault offrira en exclusivité trois tirés à part en couleurs, numérotés et signés.

L'éditeur de ces pièces est La Grande Ourse, organisateur du festival d'Andenne et éditeur de L'Inédit, le magazine belge spécialisé dans le portefolio de planches et d'illustrations inédites (d'où le nom!).

© BDQuébec.

******

Update:

Expozine a très bien été ! Les ventes ont été bonnes et il y avait plein de gens en visite pour la journée ou j'étais là. J'y ai été samedi mais pas dimanche. A coté de moi, y'avait mon scénariste de la chronique Stats dans Safarir, Kurt Beaulieu qui vendait sa musique concrète sur CD et son nouveau mini-comic; Nicolas Plamondon et son nouveau zine "La mort, cette retardataire" ; Blonk; Francis Hervieux et MensuHell et, bien sur, Sirkowski et ses rats vendant Miss Dynamite.
Tiens, Jack Ruttan a pris plusieures photo qu'il nous montre sur sa page de Flicker. Il y a aussi Veronique qui en a prises quelques unes. Si d'autres gens ont des liens a ajouter ou des commentaires pour Expozine, signalez-les moi.
Jack: Jour 1
Jack: Jour 2
Jack: les rats de Sirkowski.
Veronique: Ici

Reactor Girl #6

Tom Spurgeon talked about an old anthology I contributed to in 1991. Here.

WWW.4x6-ART.COM

Here.

And my art here.

Safarir 225, juillet 2007

Kurt Beaulieu et moi continuons de faire la chronique illustrée des Stats. Depuis 3 mois déja, Kurt m'écrit le scénario et j'illustre à la ligne avec tons de gris. Comme le nom l'indique, c'est une série de gags basés sur les statistiques venant de Léger et Léger, Ipsos et autres irritants des sondages téléphoniques... Malgré mes peurs, l'humour de Kurt passe assez bien la transition à la formule du gag traditionnel de Saf. Et on réussi meme à y faire des références bédé: Sabine, personnage fétiche de Kurt y fait une apparition et on a réussi à glisser Le Père Lacloche (Pete the tramp) dans le role d'un clochard de Montréal. Le personnage de Clarence D. Russell créé en 1932 réussi assez bien la transition ! Faut dire que la pauvreté continue d'etre d'actualité...
La couverture, visible ici, montre bien sûr les Tetes à Claques. Saf s'accroche à leur 15 minutes de gloire, ce qui a tres bien marché la derniere fois qu'ils étaient en couverture.

Betty Page art

The drawing in this post is a special "commission". I was asked to give some art for a charity. I must admit that I did not understand all the details, the original message was in Italian but I did get that they were trying to sell artwork to help fund an african charity, in Tanzania. An italian penpal gave my name and I wound up in the company of Milo Manara, Giuseppe Camuncoli, Gabriel of the eight, Giuseppe of Bernardo, Corrado Mastantuono, Fabrizio Fiorentino and Stefano Raffaele. I'm impressed that Manara is in there...Anyway, since these artists are in the "good girl" style, I decided to use an idea for a future project and explore it a bit in this context. Plus, Betty Page is easily recognisable. So if you want to buy my artwork, you should get in touch with Roberto Riccio here and here.

Chatterbox problems....

If your reading this news from the Veena webcomics page, you can look right next to this news box and you'll see a Chatterbox. Right now it doesn't look like much because it seems that Flooble, the company that manage the code, lost something to make it work...I have no idea how to fix this. I might have to install a new account, or simply to forget about the whole thing. If you think it's useful, just write me !It's kinda bad. I think we lost a lot of messages...among them all those from Michele Laframboise and her boyfriend who posted regularly, and even recently that guy who was a fan of Alphaville and saw Lemmy Caution in the look of one character in this story....

Also, you may have noticed that there is no longer a link to the Forum page. It's because I decided that it wasn't really what I needed. Initially, the forum was shared between 2 webcomics: Veena and The Eight. Since it's writer, Steve Requin, was the main moderator and not me, when he stopped updating his comic in 2005, he stopped maintaining it on a regular basis, ad ware began to post junk and I could not do much about it. These problems lead to disuse of the forum, among other things .It's too bad because it was useful to make people know about each other's webcomics...A form of cross pollination. Maybe I could try to do a similar thing with Miss Dynamite where a lot of my readers link from, or a could maybe open a Comicgenesis forum account ...

Montréal Comic Con - Sunday April 22nd

I always forget to mention those things... I talk about my trip to Toronto but never mention it when it's a convention from home...
I've been invited to the Montréal Comic Con next Sunday. Other guests will include David Finch, Serge Lapointe, Clément Sauvé and Sirkowski.

The details:

Sunday 22nd April
From 10am to 5pm
DIRECTIONS: PALAIS DES CONGRES
By Metro: Take the metro (subway) to the PLACE-D'ARMES station, located under the Palais, and follow the signs.
Walking: The building of the Palais takes the whole block surrounded by Viger Ave. (North), Saint-Antoine Street (South), Saint-Urbain Street (East), and Place Jean-Paul-Riopelle (West), an extension of De Bleury Street.

See you there!

Deja Voodoo !

Somewhere in the late 80's, there was a band called Deja Voodoo. I was a huge fan of their sludgeabilly swamp music. Every time they played in Montreal, I was there. They were Gerard Van Herk and Tony Dewald and played a very stripped down type of rockabilly.They dressed very simply; short hair, suits and bow ties or maybe a plastic spider instead of a tie ? At some point Van Herk decided to publish a comic book with short stories about music. When I heard about it I jumped on the opportunity. That was my first "comic book".
Here's a Youtube where you can hear them play.
They were my favorite band from my arrival in Montreal at 17 up to when they stopped playing in the very early 90s, so that little thing is my tribute to them for the fun they gave me and for publishing me.
Eventually, i'll put a scan of the cover of this comic.They have a MySpace page here.

Attack of the 5' 6" woman !

That's the name of a very short story I did for Femforce #138. That happened unexpectedly: a pen pal from Italy was supposed to have a 2 page story we did published in an Italian magazine. That could not be done, so he sent it to AC Comics for use in Femzine. That's how I got in touch with them, just to get my artist comp copies.

They liked my art, and were in a rush to finish Femforce 138, where the theme is GTS, i.e. Giant Women, a bit like seen in the movie Attack of the 50 foot woman. I proposed my own take on it, a reversal of the theme. They agreed. So the title is Attack of the 5' 6" woman !
I did the plot and the pencils and the final script and the inks are by Mark Heike.

AC Comics are known as one of the 4 companies that started the Direct Sale market . The other being Pacific, First and Eclipse. They are well known for their dedication at reprinting the art of the golden age of comic book.

Update : March 4th
The Femforce message board has a review by Paul here.
An excerpt:
"In the next story, “Attack of the 5'6" Woman,” newcomer to AC, Eric Theriault, with assists by the Heikes, delivers a fun story that plays with the Giant Woman conventions a little bit. It’s well-paced and I liked that the reader knows what’s going on but the protagonist does not. It’s a mix of cheesecake and the old “Land of the Giants” tv series (and, if you’re old enough to remember that I guess I just gave away the surprise).


****

By the way, if you are here because you typed " feet stuck in glue ", maybe you should write me privately...

I'm interviewed on Bedeka.

I'd like to make an invitation to everyone who can read french to read an interview that Eric Lamiot did with me last summer on the Bedeka web site, but has only recently been posted on the site.
I'm pointing it because, em..it's an interview with me, but also because the updates on the news section of that site are pretty irregular these days and maybe nobody see them anymore.
It's here.


Questions cover my coloring on "Quentin le seul" a serie by Patrice Lesparre done for Pif Gadget (Pif is a kid magazine published for France's market), work published by Delcourt and Bamboo translating comic books originally done for the american indy market (Battle Hymn, The Goon, Grounded) and some news on my webcomic Veena, where John Star is now being serialised.

Ciao!

The end of the world !!

While surfing, I found a page on the Montreal Mirror site that had art I did nearly 8 years ago ! That was when 1999 was synonymous with the end of the world, or at least with the Millenium Bug.
It's here.
Once a year, the Montreal Mirror asked editor Rupert Bottenberg to built a whole issue full of cartoons, so that the journalists could take a vacation during the Christmas time. That was a good idea and they should bring it back !
My style was a bit simpler back then...

My Comic Space

By now everyone has a My Space page. I'm not sure what's the use really...I did not care about it very much until I was invited by the OnlineComic administrator (where you can subscribe to get updates about the veena webcomic) to a sort of My Space dedicated to comic creators. I registered, so now I have a ComicSpace page under my name. And, why the hell not, I made one for Veena on My Space.
Here are the adresses.
ComicSpace: Theriault
My Space: Veena

Hopefully, we'll be able to post updates on our pages there that could be a form of broadcast.

Lots of guests art and a brand new Archive section !

On Comicgenesis message board here, I recently made an offer to trade guest art for a link and some good word of mouth in the news section. The only requirement is that it be about Veena or any character or situation from the webcomic.

I was happy with the result. 4 very good artists answered the call and a few more made promises. You may already have noticed that the last 2 weeks of strips were fill-in. The first one was from Roman Wunderlich, artist of B-Movie Comic. He actually did 3 different pieces, all done with a great sense of humour and great colors. This week's piece is called Veena Yaoi but should be called John Star Yaoi, making fun of the friendship of John and Paul-Hitler-Dixon, and at the same time turning on it's head the nastiness of the nazi look.That was one invitation I was making : I want artist with styles that are different from mine. I want to see how they interpret the characters, especially the manga style. That's what I got from G.L. Gillen, the artist of Squid Ninja. But his style is so round and cute that it seem to be from beyond manga and maybe more from old Warner Brother cartoons.
Next week will be the one by Nathan Birch of Zoology. He just did a pose of Veena herself and he really got the attitude right. Even the clothing is perfect down to the panties animal patterns !

I'll be back with more comments from 2 others after that.

******
You may have noticed that I did a few changes on the Veena webcomic page. By popular demand I added an archive page. So you have one now. You might say it's in beta version cause it's full of bugs. But it'll get you where you want. I've done it in a "summary" style cause unless you are doing a daily humour strip, i think the calandar style is pretty useless. It doesn't tell you anything about what you might want to read. So I hope that adding that will help to read more than just the early strips or the most recent ones.

Interviewed for Adventures Into Digital Comics

Last year, I was interviewed by Sebastien Dumesnil for his new movie Adventures Into Digital Comics. It took a while to be ready, but the movie is now finished and has begun to travel to cinema festival worldwide. The interview is not actually in the movie but served to frame some informations about comics. It's now online here.

This is how their website describe the movie:
"What is a comic book? How has the use of computers changed the creation process of print comics? Should webcomics be created in such a way that they cannot be sold as books? When does a webcomic stop being a comic and enter the realm of animation? Can webartists live from their work? These are some of the questions we try to answer in Adventures Into Digital Comics, a documentary film analyzing the events that changed the comic book industry and art form over the last decade. Investigating the work and ideas of established and up and coming comic artists, director Sébastien Dumesnil offers the audience a vision of the future of a rapidly evolving medium. The film opens a window onto the dynamic renaissance of the comic taking place today on the web, exploring the obsessions and passions, not to mention the ever present struggle to survive, of the artists behind the images. Official Selection Icon 2006!"

Rebooting the webcomic ?

I need your input on what to do. The story going on right now in the Veena webcomic has about 15 pages to go before the end of the John Star adventure. But since I'm working on a lot of other stuff, I won't really be able to put a lot of time on it.As I've said before, i'm now working on a 7 pages Turtle story and will soon begin to do more schoolbook illustrations.

Would you be pissed off if I rebooted to the beginning while I finish the story ? Then at least, new visitors would have something to read on a regular basis instead of feeling that this webcomic is dead.
You can vote and comment on this here.

Updates on my new work : Turtles !

I have now finished working on the pitch for the French publishers. The 5 pages are done and lettered. After little tweaks here and there, my writer will be able to go and meet the publishers personally (he's in Paris). I'm crossing my finger that this is my next project.

In the meantime, i've got more to do: a 7 pages Turtle story to be published in Tales of the Teenage Mutant Ninja Turtles ! I have the script in hand and i'm already working on it. I guess that should be out next spring. I'm glad they got back to me since I have not done any work for them since last year when I did 2 illustrations for Tales of TMNT.

Yé !

Back from the Toronto Comics Convention

I'’m back from the Toronto comic con (whose official name is Fan Expo Canada 2006). I was there for the 3 days and I traveled with Sirkowski (artist on Miss Dynamite).

It was my 3rd year there and it will be my last. Unless something really drastic change. I usually go there with copies of my Veena comic book and some of my art hoping to make some sales and get in touch with some readers. Unfortunately, it seem the con is not designed to work that way. I was there as a Guest. It mean I do not pay to get there and depending on where you are on the totem pole, some or all of your expenses are paid. If you are a tv or movie actor, even a voice actor, you get a fee to even be there. If you work for Marvel or DC on a popular book, travel and lodging is cared for. Otherwise, if like me you are defined as an “"indie artist"”, you're left alone. I'’m not really complaining here that I'’m not famous and all that shit. I'’m just annoyed that the whole con has taken the route of adding so much diversions like toys, movie, and multimedia that just being a real live artist willing to chat and meet readers is not interesting enough. In fact, most of the foot traffic does not even seem to be made of comic readers.
Eventually, I think I should go to other cons like Paradise or that one I'’m told that the Beguiling is organizing. I'’m a bit removed from all the turf wars that apparently happened between HobbyStar and Paradise, but it'’s probable that all the comic readers and interesting artists moved there. Gone are the nice artists I met like Kean or the Flight crew, and gone are the studios like Dreamwave or Mirage. That last studio I met last year, and that'’s how I got the Turtle art gig. Some of that art attracted attention when people were looking thru my portfolio. That underline even more the fact that it'’s a very mainstream, commercial convention, and that you need to work on a recognizable franchise to be noticed.

Good points: some of the artists I met like Ghastly from Ghastly Comic , Paul D. Storrie, Sulley Fattah, Larry Handcock, Michael Chan of Anime Iku and a few others !

A cool Tiki !

I just re-did the index page of this site. So now, instead of a photography of me that does nothing to inform that it's a site about my art, you get a cool tiki. I like tiki, that, i'm sure you could guess...It remind me of those old Elvis movies where he sang on a beach with cute girls and a dune buggy. Anyone know which movie it is? It also remind me of old Kirby monsters stories. Go figure....
The old blue photo is still on the biography page. My fiancée, Harmelle, took it.

The forum is alive once again !

As the title says, yes, it's back on. For a while, this forum that I share with Steve Requin's The Eight got locked to everyone not registered because some robots were posting junk and nonsense...That was the only way to stop that for a while. Then Steve had "life" get in the way of his involvement with his webcomic and things stuck at that point.
Now he's back, the forum is now unlocked to all. The Eight even has new pages that will be posted on a new site soon.

As to why Veena doesn't have her own forum, even if she should : Here is the reason. All the webcomics I see do seem to have their own forum. What happen is that if every one has one, then nobody goes to one. If I stay on my forum waiting to have people come, and Acid Keg's fans do the same, then nobody is discovering new comics and all webcomics become little incestuous cliques. To broaden the readership you have to go and meet. That's what I do when I go to many message boards of webcomics like Comic Genesis, Buzzcomix, Café Salé, The Comic journal, Comicon, BD Québec, Bédéka and others. It's about networking.
So come and chat about Veena and about anything you want. You can even come and promote yourself. We'll listen.

Art of the Day : 2

I just got a Wacom Tablet for my birthday and this is my first try at color with it. It's really fun and a big improvement on the mouse ..! It's for an History book and this is a chapter on Imperialism in the 19-20th century.

Carle Bacha and Bernie Mireault

Only one day left before the start of the new story, so I should mention a few things about the guest art. That last piece was done by Carle Bacha, inked and colored by Bernie Mireault.

Years before Veena was a webcomic, it was a comic book, and before that, a mini-comic distributed by mail thru promotion in a small press magazine called Factsheet Five. It was done on a few folded pieces of paper, photocopied, hand stapled and mailed for a few quarters. That'’s how it was done in those far away times before the Internet, where as now everything is free and available making everyone happy!
I'’m not sure how that drawing came about. My fuzzy memory says it might have been done during a "“NovaCon"”, a sort of mini convention taking place at the Nova bookshop (in Montreal, Canada) in the early '‘90s. Could be seen there were the local underground cartoonists, and a few mainstream ones. There might have been a comic jam taking place where Carle Bacha did a drawing of Veena. And Bernie Mireault took a big marker and inked it. I liked it enough to put it in the mini-comic.
Years later, when I reprinted part of the pages in the comic book version, I remembered about that page and asked Bernie if he wanted to color it for the back cover of #2.

What happened with those guys? Well, Bernie Mireault is now doing coloring for the Revolution on the Planet of the Apes comic book as well as working on a graphic novel, now halfway done. He has a web site here.


And Carle is still at it doing animation. Here are a few links on Newgrounds for his latest shorts. They are very cool !

A B C D

The ones with Dr. Wigglepecker are done in collaboration with Rupert Bottenberg. Rupert is also one that has done a few comic pages in the early Veena mini-comics. He has no page to showcase his work that I know of, but he should ! He'’s now a music editor at the Montreal Mirror.

Music on those shorts is by The Unireverse, a fun psychedelic Moog rock band.

Art of the day : 1

This is a cover illustration for a schoolbook. It's for reading French.

In stores: ABC : A to Z #3

It's been a while but I have a few new works in comic books, from now to the next few months.
First, the one that is available in the stores right now:
ABC : A to Z #3
That's a spin off of Terra Obscura, that serie written by Peter Hogan and based on Alan Moore's concepts, drawn by Yanick Paquette with various inkers, among them Karl Story and Serge Lapointe. You might remember that I did a few flashback pages to help Yanick get that "golden age" flavor. Well, the new book by Wildstorm recap everything and is a sort of "Official Handbook".



The second is, ta-dah , Tales of The Teenage Mutant Ninja Turtle # 21. It will be in stores in March. I have a frontspiece page introducing this issues theme : cowboys and cows. That is the first of a few project that I have with Mirage Studios. Another frontspiece page will be published later this year and I also have a full story waiting for the approval of Mr. Peter Laird (one of the famous creators).If everything goes well this one should be written and drawn by me and starring Leonardo, Donatello, Raphael and Michelangelo in the New York subway and meeting ghosts. I know its one of my regular theme but....Well, they always say that you should write about what you know....

Beside that, I have helped once again Michel Lacombe on more Star Wars comics (it's becoming more and more regular for Michel !) But due to my time being used on school books illustrations, I could not help him much. Only a panel here and there. But that should be in Star Wars Rebellion #0 (in march) and #3.

Cy-Boar, Veena and guest art.

Artist Lou Graziani and I have done some exchange of guest art for our webcomics. But we could not synchronize it to be put in between stories at the same time and do some cross promo. So my art, a version of his Jill the sexy hillbilly girl- was on his site last month here.
And his version of Veena is here.
So it's an exchange of cheesecake !
Cy-Boar has also a ton of guest art that you should check out. I have a little less guest art, but the next one should be by Bernie Mireault, the artist of The Jam.

We hope you'll check out the stories that goes with the guest art.
Cy-Boar is the story of a cyborg human-boar that has many adventure against the army or groups of super-villains. It remind me of an old Hulk comic from the '70s. I also like the coloring. I think Lou has a gift for it.
And Veena is...well, you already know if you're here.

Stephane Peru, our new colorist.

You guys already know that I share studio space with other cartoonists? ( Yes, I've mentioned this a few times already....) Early this November, one French guy from France phoned us saying he heard about our studio from Wes Craig and he wanted to know if he could work with us. We learned his name is Stephane Peru and he's a colorist for albums on the European French market for publishers like Soleil, Delcourt and Semic among others. We like to have talented people like that so the next day, he brought his Mac and began to work !
Stephane is a very upbeat nice guy and he bring his coloring experience to us. It's a valuable thing since we did not have that expertise inside the studio. Serge Lapointe sometimes work with Blond, Michel Lacombe, Frefon and I color our own work but it's different.
Stephane worked with his brother Olivier on a 3 part serie called Shaman for Soleil.You should try to find it. It's worth it.