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Recipient  of the Canada Council’s Joseph Stauffer Prize


 
 

Still


  Still you turn out lives 
  in dribs and drabs, lives 
  of no return 
  no news 
  of doom, no snakes that scale 
  the walls of certainty—
  and then you produce 
  the lives of geniuses and infants. 
  I still can engage you 
  in a faceless argument 
  of politics and the economy 
  that upends the facts, only 
  to collapse. And why is it 
  that you retreat 
  when I wish to thank you 
  and discuss your plans? 
  The blueprints 
  formed inside your head 
  are not made to human measure 
  so that 
  I am forced to cut and paste 
  cut and paste until 
  the collage becomes a home. 
  Forgiveness—no one’s 
  compelled to seek it 
  but it is preferable to setting traps 
  in the brain’s underbrush 
  baited with our flesh. 
 
 

  an excerpt from Fields of My Blood
  © 1998 John Asfour




 

Born in Aitaneat, Lebanon, poet, translator, scholar and teacher John Asfour was blinded at the age of fourteen by a grenade which exploded in his face outside his village, during the Civil War of 1958. Both the rich cultural heritage and sectarian violence of his homeland have profoundly  shaped Asfour’s life. He is the author of three volumes of poetry, including the critically acclaimed One Fish from the Rooftop (Cormorant Books, 1990). 

He edited the landmark anthology, When the Words Burn: An Anthology of Modern Arabic Poetry, 1945-1987, the first major collection of its kind ever to appear in Canada. In 1996, in recognition of his poetic  achievements, Asfour received the Canada Council’s Joseph Stauffer Prize. Asfour, currently president of the Canadian-Arab Federation, resides in Montreal, Quebec, with his wife, Alison, and two children.


 

Links

Interview With Elaine Kalman Naves

The Special Senate Committee on Bill C-36

 


 


 

 

 

 

               

 

 

 

 

 

 

 

 

A fall 1998 release
new poems

 

Fields of My Blood represents a triumph of compassion over the worst possible elements. War and its attendant  indignities would appear to have the upper hand. Asfour’s capacity for weaving affirmations of hope and determination from the ugly stains of past and present imbues each poem, begging the question: what is the true meaning of survival?


 WHAT THE CRITICS SAY

"In this collection of poems, he looks at Montreal, a city whose ordinary life he chronicles very well, and somberly describes his experiences of Beirut and Gaza, favoring grief over grievance. Fields of My Blood captures the multicultural texture of Canadian life."

—Bert Almon, 
Canadian Book Review Annual



 "I have nothing but admiration for John Asfour’s work… Everything is there, from the melancholic lyricism  of Nazik al-Mala’ika to the passionate engagement of Mahmud Darwish, from the tragic sensibility  of Muhammad al-Maghut to the rebellious iconoclast Adonis." 

—Henry Beissel


"A find poetic craftsman, Asfour hones and polishes words with a minimalist’s obsessiveness." 

—The Montreal Gazette




 "That he refuses to make blind-ness an issue in Fields of My Blood subverts preconceived ideas of what can be seen, and by whom (…) Asfour denies the voyeuristic reader the opportunity to know ‘what it’s like’ to be blind (…) His voice commands us to listen."

—Stephanie Bolster, 
The Montreal Gazette



ISBN 0-921852-14-2 
100pp. 6"x9"   $12.00

 

 

 


 
   

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